An independent composer whose musical vocabulary spans prog, post-punk, industrial, experimental and classical music. His work is a genre-defying fusion of these influences, applying principles of classical composition to other genres of music, and unconventional sounds and textures.

His music is often described as cinematic – always dramatic, and always aiming to take listeners on a journey to someplace unexpected.

New Release

SO HAPPY

Alternating between brutal riffs, false euphoria and stark introspection, So Happy traces a path through alienation and tribalism to rediscover the basis of authenticity and meaning.

Drawing from a wide spectrum of musical influences, the album ultimately resolves in a sweeping, symphonic synthesis of its recurring musical motifs, descending into darkness before struggling into light.

PURCHASE ON BANDCAMP

Streaming on Apple Music, Spotify, YouTube and other platforms.

So Happy Lyrics

“Very intense and dramatic, well done ... It's wonderful ... Loved the intensity and the transitions ... Really cool stuff”

— Listeners of the EP "Bloom"

Other Recent Releases

“At the Edge is a remarkable album that successfully navigates the complexities of an industrialized society through a unique blend of electronic, eclectic, progressive, industrial, and post-punk elements. It is an album that demands attention, not just for its musical innovation but for its profound exploration of the human condition.”

— Prog Sphere

Explore The Music

Many musical journeys to be taken.

“Thought-provoking journey into the socio-political rabbit hole, through a combination of industrial married with experimental classical music.”

— Onyx Music Reviews

Featured Blog Post

Origins of The Imperial March / Darth Vader Theme

The Imperial March first appeared in The Empire Strikes Back, and was not heard in the preceding original movie.

After diving into the score for A New Hope, I think I have identified the essential musical ideas Williams drew from in composing The Imperial March.